Matt Reeves's sequel to Rise of the Planet of the Apes never allows extraordinary special effects to outgun emotion and intelligence, says Tim Robey
Directed by Matt Reeves. Starring: Andy Serkis, Jason Clarke, Gary Oldman, 
  Keri Russell, Toby Kebbell. 3D, 12A cert, 130 min.
When we last left ape-world, aka Earth, at the close of 2011's 
  prequel-cum-reboot Rise 
  of the Planet of the Apes, relations between humans and our simian 
  cousins were in tatters. They've only got worse in the intervening years: 
  most of humanity has been wiped out by a virulent plague to which only 1 in 
  500 of our race is immune. Gaggles of survivors hang on by a thread, their 
  resources all but extinguished. 
Apes, on the other hand, are doing pretty nicely for themselves. Rampant in 
  the wild, they're developing a sophisticated language through sign and 
  speech. Many have a basic grasp of English. The rudiments of society are 
  here – they've moved on quite a lot from those bone-tossing prototypes at 
  the start of 2001: A Space Odyssey. Wrestling in eloquent, if grunt-heavy, 
  debates over their place in the new world order, this lot could teach the 
  House of Lords a few things. 
The only factor preventing their global takeover is the stubborn ability of 
  humankind to resist extinction by any means necessary, which – pointedly 
  here – means taking up arms. Where its predecessor in the series imagined 
  the growing consciousness of apes in revolt, this one plunges us into a war 
  of gorillas versus guerrillas – a form of strife without clear winners, and 
  one in which we're never forced to choose one side over the other. 
We take sides within sides. On the ape front, the leader Caesar (Andy 
  Serkis) is ever more aptly-named, finding his efforts at stable rule 
  sabotaged by a scowling, scarred rival called Koba (Toby Kebbell), who wants 
  rid of their hated primate relatives for good. Among the humans, a fuel 
  crisis sends the former architect Malcolm (Jason Clarke) into ape territory 
  outside San Francisco, where resuscitating a hydroelectric dam is his 
  community's last hope to restore power. A wary truce is achieved, on the 
  condition that he and his companions surrender arms, which they willingly 
  do. But there are many more where those came from, back in the downtown 
  stronghold where resistance leader Dreyfus (Gary Oldman) rules the roost. 
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